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Interview: Judd Apatow (Part One)

Filed under: Universal, Fandom, Home Entertainment, Interviews


Funny People
was the latest in Judd Apatow's ongoing series of summer comedies, but it was anything but a typical summer comedy: following a successful comedian (played by Apatow's longtime friend Adam Sandler) who reflects on his life after discovering he's going to die, the film offered lots of humor but with decidedly heavier themes lurking beneath the yuks. The film debuts on Blu-ray in a 2-Disc Collector's Edition next week, and the contents are amazing, showing how Apatow combined lighthearted fare with more serious ideas in the service of exploring something substantive.

Cinematical was lucky enough to catch up with Apatow via telephone one recent morning to discuss the process of putting together the film's home video iteration. In addition to discussing the bonus materials, extras, featurettes, and a documentary that's the most thorough and thoughtful ever produced about a comedy production, Apatow talked about finding the right ending for his magnum opus, discovering and deconstructing the process of producing laughs, and front-loading the film's universe with outside content about the supporting characters.

Cinematical: One of the ideas highlighted in the Blu-ray bonus materials was the fact that you knew this was going in a different direction than your previous films. Even knowing that while you were making it, were you surprised by the reactions of audiences and critics when it was released? Or does it matter?

Serious Scores: 'Aguirre: The Wrath of God'

Filed under: Music & Musicals, Fandom

We're doing something crazy, and launching another little series here on Cinematical: Serious Scores. You're a smart bunch, so I imagine you've already figured out that the goal isn't to highlight our favorite bank heists, but to praise the creme de la creme of cinema's soundtracks. Hopefully, you'll find something new for your iPod, rediscover a lost favorite, or appreciate a piece along with us.

Technically, Werner Herzog's Aguirre: The Wrath of God doesn't have an official soundtrack. The entire score was recorded by the German progressive band Popol Vuh (the first of many collaborations they did with Herzog), and was released as an album in 1975, with a 2004 re-release. Only two tracks were actually used in the film: Aguirre I and Aguirre II. If you disdain the rest of their Krautrock, the magic of iTunes and Amazon allows you to buy them individually. Now you can put them on a playlist, set them to repeat, and go as mad as Aguirre himself.

Hints of madness aside, Aguirre I and II are pretty incredible pieces of music and were raved about in the 1970s. I think the music is just as powerful today, even if Moog synthesizers seem to have fallen out of favor. It's hypnotic and eerie, and so very evocative of that torpid jungle journey. Never have native panpipes sounded as frantic and terrified. I've embedded Aguirre I below the jump, but I highly recommend spending the $0.99 so you can download it to something hand-held and listen to it in the dark.

The Last Word(s) on 'Twilight' Belong to Kevin Smith

Filed under: Fandom, NSFW, Trailers and Clips



You've read all the reviews and interviews, and watched all the spoof videos. Most of you reading this have probably already watched the film, too. Today, as The Twilight Saga: New Moon finally reaches theaters, it sorta feels like the day after Christmas -- all this hype, work and constant coverage building up to the release of just one film ... and then it's over. Now the "real" fans will begin their endless geeked-out debates on their own fansites, and the rest of us will talk about the film's boffo box office while preparing for three weeks worth of nonstop promo for JAMES F*CKING CAMERON'S AVATAR! ROAR!

So while you drink the last of your blood energy drink, and begin breaking down the Bella and Edward Nativity Scene that's currently on your front lawn, why not let our good buddy Kevin Smith have the last word on all things Twilight. During his panel at this past San Diego Comic-Con, Smith went off for about four minutes on the Twilight Phenomenon, and took us through the experience of watching a clip from New Moon while thousands of young girls screamed their silly little heads off. It's a very amusing clip (that's homemade, so excuse the jerky camera movements), and if it's the last thing you watch before folks begin ramping up their Eclipse coverage, you'll find yourself a happier and more well-adjusted human being because of it.

Watch the clip after the jump, though be warned that it comes with plenty of foul language.

Fun or Lame: Fox's 'Bones' Becomes One Big 'Avatar' Promo

Filed under: Action, Sci-Fi & Fantasy, Fandom, 20th Century Fox, Movie Marketing, Fan Rant


I'm pretty easygoing when it comes to marketing and product placement. It's so ubiquitous that I tune it out, or laugh along when it shows up on 30 Rock. I can never really muster up the rage some viewers do when Pizza Hut, Ford, or the iPhone is prominently placed in a movie or television show. The most I'll do is roll my eyes and joke about it later on ("Did you notice that? Lame!"), because I find the big picture to be more important than some high-priced props. That is, I didn't care until Fox proudly announced that Bones will return in two weeks with an Avatar themed episode. (The promo is embedded below the jump for the curious and eager.)

Look, I get why Fox would think this was a slamdunk. It's on their network, and one of Bones' recurring cast members, Joel Moore, is actually in Avatar. I understand that the combination makes the December 3 episode of Bones prime advertising real estate. But come on! Can't you just run some flashy commercials, a new trailer, or "a special behind-the-scenes look" like you did with films back during the good old days? Doesn't anyone at 20th Century Fox wonder if it doesn't look a little desperate to coerce an entire show into the PR game? After all, Avatar was supposed to sell itself purely on the photo-real effects, the world of Pandora, and the name of James Cameron. Why do they need Bones?

What Makes a Real Vampire?

Filed under: Fandom



The Twilight Saga has whipped up a frantic fervor in fangirls, opening doors to female fandom while sticking incessant and neverending thorns in the folks who want Bella and Edward to go far, far away. But it's also brought up a pretty interesting argument: What makes a vampire? I teased about the notion yesterday when I wrote about the Daybreakers PSA; however, can we really define what makes a vampire beyond sharp teeth and a thirst for blood? And if we can, what is necessary and what can be finagled?

Vampires have been around forever in some shape or form, flying through the worlds of folklore and darkness before shuffling into their modern guise of pale, 19th century blood drinkers. In 1819, John William Polidori presented The Vampyre ushering in this idea of the mysterious man entering high society, seducing young women with vampiric charm. "In spite of the deadly hue of his face, which never gained a wanner tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection." From then on, no lady was ever safe.

Congrats to Our Halloween Costume Contest Winners!

Filed under: Fandom, Contests



Thanks to the hundreds of you who submitted photos for Cinematical's Fifth Annual Halloween Costume Contest! We're happy to finally bring you the two winners of this year's contest in the adult and child category. As seen above, to the left we have our child winner in his ridiculously hilarious Headless Harry Potter costume, and to the right we have our adult winner with his very stylish homemade Iron Man costume. Major kudos to you both for your inspired movie-loving creativity! Once again, here's what these folks won:

Grand Prize Package: Adult Winner

Insignia Blu-Ray DVD player
Collection of 5 Magnolia DVDs (The Host, Donkey Punch, Shrooms, Splinter, The Signal)

Grand Prize Package: Youth Winner (entrants under the age of 18)


Note: This prize package contains DVDs for both kids and adults (we figured you parents deserved something for all your hard work, too).

Peanuts 1970's Collection Volume 1
Chop Socky Chooks: Volume One
Curious George A Very Monkey Christmas
Aussie & Ted's Great adventure
Tom and Jerry Greatest Chases V3
Scare Tactics Season 3 Part 1
Turner Classic Movies: Greatest Classic Horror Films
The Hills Run Red
Trick 'R Treat

Those still itching for more can view all 20 finalists (and their costumes) after the jump. See you next year!

Robert Downey Jr. Wants to Retire?

Filed under: Celebrities and Controversy, Fandom, Newsstand

Retire. I am starting to hate that word in Hollywood. Most of the time it doesn't mean what it suggests. Retirement means ending work, maybe taking on a side gig if you really need to or are really bored, but for the most part, it's ending life in the workforce and enjoying a life of leisure. In cinema, however, it seems to be anyone who is taking a break from the biz. Luc Besson's "retired," as is Sean Connery. Now ... Robert Downey Jr.?

The ever popular actor has told Entertainment Weekly that he might quit acting. "I've never had it this good -- this is my day in the sun -- and I certainly don't want to look a gift horse in the molars. But [my wife] Susan and I want to begin to be in our lives as much as we are in our jobs. I'd love just to sit here and say, 'What movie's playing tonight?' I'd love to finish the new book about D-day I'm reading. I love painting, I love music." And if you can get through that without your gut falling out in dread: "But here's the thing: I can only be a guy on a call sheet probably, I don't know, maybe a couple more times. It's something I'm so grateful to have in my palm, and yet I already see its inevitable decay."

He does leave room for hope by saying: "If Sherlock Holmes performs well, I could be busy for the next 5 or 7 or 10 years." But who knows whether that's just him appeasing potential fan backlash, dread at the thought of never catching a break, feeling uncertain in his career, or some other reason altogether. But if it's true and does happen, I shudder to think of Hollywood without his talent.

Chevy Chase and Beverly D'Angelo Set for Another 'Vacation'

Filed under: Comedy, Fandom, Home Entertainment



While the wheels on the Wagon Queen Family Truckster are still in motion with regards to a brand new Vacation film as told through the eyes of Clark Griswold's son Rusty and his family (which New Line is currently working on alongside David Dobkin), the original Clark and Ellen Griswold (Chevy Chase and Beverly D'Angelo, respectively) will be making a return appearance this February on the small screen as part of a Superbowl commercial for HomeAway vacation rentals.

Yup, Chase and D'Angelo will be reprising their characters for a commercial that US Weekly says will pay homage to the 1983 original film, National Lampoon's Vacation. Says Chase, "To this day, people ask me, 'When is the next Vacation movie?" So I'm sure everyone will get a kick out of seeing the Griswolds and their misadventures once again." D'Angelo adds, "Clark and Ellen have one of the most enduring marriages ever to come out of Hollywood. I am thrilled that HomeAway is reuniting Chevy and me." Aside from Chase and D'Angelo, the TV spot will also reportedly feature an exact replica of the iconic station wagon featured in first film.

Though it's not exactly a big-screen reunion for the original Griswold parents, it'll be fun to see them back together again for what I hope will be an entertaining Superbowl spot. And, hey, I guess after watching that we'll know whether or not we want them back for cameo appearances in the next Vacation movie, too.

OMG! Rob Pattinson In the 'Remember Me' Trailer!

Filed under: Drama, Romance, Fandom, Newsstand, Movie Marketing, Trailers and Clips


Ladies, I have important news: we've got another Robert Pattinson movie to "squeee" over. The New Moon heartthrob stars in Summit's romantic drama Remember Me, in which RPattz apparently gets to -- dare I say it? -- act his little butt off. By which I mean, throwing punches and yelling at James Bond and being sensitive and making out with Emilie de Ravin, all while rocking an American accent! Sigh. I can't wait.

Ok, so Remember Me is a gimme - of course every Twilight fan is going to run to buy tickets to watch Edward Cullen Rob Pattinson be romantic and emo and, most importantly, have a sex scene or two or three. (I'm extrapolating from the one shot of Pattinson and de Ravin with an L sheet covering them in bed in the trailer.) And your boyfriends and husbands probably won't want to be dragged to see it any more than they did the Twilight films. But judging from the very first trailer, Remember Me might just offer Pattinson his first big chance to prove his acting chops in a widely seen release, following dramatic but quirky turns in indies like Little Ashes and How to Be.

Watch the trailer debut for Remember Me after the jump, stat!

Shelf Life: The Professional

Filed under: Fandom, Home Entertainment, Shelf Life


This week, Sony Pictures Home Entertainment released Leon: The Professional on Blu-ray, and because I have the best job in the world, I got to watch it for this column. The truth is that this was a formative movie for me, not only augmenting my budding cinephilia in terms of attention to and interest in strongly visual filmmakers, but in understanding the technical and artistic value of widescreen cinema. Before the film was released on widescreen VHS and later, DVD, I watched the pan-and-scan version when it was first released on video and almost got sick from the cropping and scanning of director Luc Besson's balletic camerawork.

Thankfully, I never have to watch it via that sort of butchered presentation again, and even if you don't think the movie is a masterpiece, at the very least, SPHE's new Blu-ray offers a gorgeously rich transfer that fully celebrates Besson's cinematography. But even though this is a film I've revisited several times since its original release in 1994, I was curious to see how well The Professional would hold up some 15 years later – which brings us to this week's "Shelf Life."
 
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